“Democracy is a complex phenomenon. It is contingent, contested and constructed.”
Agon is a film essay that reflects about the meaning of democracy, and how it is contested. The film combines the aesthetics of the Czech capital Prague with an intercultural dialogue with the Indonesian community (and other communities) living in this city, thus opening up further spaces for democratic inquiry. Inspired by the book “Democracy and Media in Europe”, by Nico Carpentier and Jeffrey Wimmer, the essay merges political and cultural theory with fiction and dance. As an experiment in the reconciliation of academic and artistic approaches, Agon is an invitation to consider what democracy is and what it can be, how it is linked to space, how it is always a location of political struggle, and how it is threatened and always in need of active protection.

CAST
in order of appearance
The Woman with the Balloons (aka Democracy) | Lucie Mahurskyj |
The Narrator | Nico Carpentier |
Judge I | Mazlum Kemal Dağdelen |
Judge II | Vaia Doudaki |
The Group Leader | Angga Ariestya |
Group Member I | Ali Minanto |
Group Member II | Nurul Dinda Latifah |
The Family’s Female Member | Dilara Bozdogan |
The Family’s Son | Sigi Gereilainge |
The Family’s Male Member | Darmanto Simaepa |
The Family’s Dog | Celestial Fenix Petrifikus Totalis |
The Clown | Nurul Dinda Latifah |
The Lost Visitor | Soegeng Soejono |
Worker I | Angga Ariestya |
Worker II | Eka Ramadhan |
Worker III | Fardaniyan |
The Masked Dancer I | Agus Prasetyo |
The Masked Dancer II | Muhammad Sauqi |
The Female Dancer | Fitri |
The Man with a Dog | Bakidzanani Dube |
The Dog in the Tunnel | Orman Snoopy Levandulovy Sen |
The Man with the Crutch | Theo Zefanya Ebenezer |
Passer-by I | Jana Rajab Rambova |
Passer-by II | Theo Zefanya Ebenezer |
Passer-by III | Sadia Zamir |
Soldier I | Angga Ariestya |
Soldier II | Bakidzanani Dube |
Activist I | Rajab Muhamad |
Activist II | Lucas Ramba |
Activist III | Lucas Tomecka |



DISCLAIMER
This film essay is part of the Mapping Media for Future Democracies (MeDeMAP) project which has received funding from the European Union’s Horizon Europe research and innovation action under Grant Agreement No 101094984. The views and opinions expressed in this film essay are those of the authors only and do not necessarily reflect those of the European Union or the European Research Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.
AGON | 2025